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artgalleryofontario: The Arch of Septimius Severus, Rome, 1900Luigi Bazzani (Italian, 1836 - 1927)Painting, oil on canvas, 144.8 x 86.4 cmGift of the Canadian National Exhibition Association, 1965

infected: Accusa segreta, oil on canvas, c: 1847-1848by Francesco Hayez (Italian, 1791-1882)

toinelikesart: Italian workers on bikes1935 Alexander Aleksandrovich Deineka was born in Kursk on May, 8th (20), 1899

Vasilij Dmitrievič Polenov (1844 - 1927), Italian landscape with a peasant (1874)

natgeotravel: A painted mural brings Italian architecture inside a café in Sorrento in today’s Travel 365. Photograph by Adelina Iliev, National Geographic Your Shot

Joan Eardley (1921 - 1963), Italian farmhouse (1948-49)

lyghtmylife: SALVIATI, Cecchino del Italian painter, Florentine school (b. 1510, Firenze, d. 1563, Roma) Raising of Lazarus1540sOil on panel, 89 x 67 cmPalazzo Colonna, Rome He’s better known as Francesco Salviati, pseudonym of Francesco de’

kecobe: Giovanni Battista Tiepolo (Italian; 1696–1770)Abraham and the Three AngelsOil on canvas, ca. 1770Museo Nacional del Prado, Madrid, Spain And the Lord appeared unto him in the plains of Mamre: and he sat in the tent door in the heat of the day;

hadrian6: St. Sebastian tended by St. Irene. 1640. Giovanni Domenico Cerrini. Italian. 1609-1681. oil on canvas. http://hadrian6.tumblr.com

lyghtmylife: SARACENI, Carlo [Italian Baroque Era Painter, ca.1580-1620] The Martyrdom of St Ceciliac. 1610Oil on canvas, 136 x 99 cmLos Angeles County Museum of Art, Los Angeles

italianartsociety: Giovanni Bellini died on this day in 1516 in Venice. Together with his brother Gentile and brother-in-law Andrea Mantegna, Giovanni dominated northern Italian painting at the turn of the sixteenth century. Trained by his father Jacopo,

bonjourtableau: Les Comédiens italiens (The Italian comedians), 1719-20, Antoine Watteau, National Galery of Art

blastedheath: Emilio Scanavino (Italian, 1922-1986), Pittura n. 3, 1971. Oil on canvas, 150 x 150 cm.

kecobe: Andrea del Sarto (Italian; 1486–1530)The Virgin and Child Between Saint Matthew and an Angel Oil on panel, 1522 Museo Nacional del Prado, Madrid, Spain

lyghtmylife: ANDREA DEL SARTO [Italian High Renaissance Painter, 1486-1530]Pietà with Saints1523-24Oil on wood, 239 x 199 cmGalleria Palatina (Palazzo Pitti), Florence

blastedheath: Alberto Burri (Italian, 1915-1995), Muffa, 1952. Oil and fabric on canvas, 56.5 x 66 cm. muffa (it) = mould, mildew

italianartsociety: Giovanni Bellini died on 26 November 1516 in Venice. Together with his brother Gentile and brother-in-law Andrea Mantegna, Giovanni dominated northern Italian painting at the turn of the sixteenth century. Trained by his father Jacopo,

thunderstruck9: Carlo Carrà (Italian, 1881–1966), Solitudine, c.1917–1926. Oil on canvas, 91.5 x 55.5 cm.

kecobe:Giovanni Battista Moroni (Italian; ca.1525–1578)A Gentleman in Adoration Before the Baptism of Christ ca.1555–60 Oil on canvas Collection Gerolamo and Roberta Etro

Paolo Veronese (Verona 1528 - Venezia 1588), Mars and Venus United by Love, c. 1570, oil on canvas, Metropolitan Museum of Art, New Yorksource: Italian Art Society

Caravaggio (Michelangelo Merisi, 1571-1610); San Matteo e l’angelo (St Matthew and the Angel), 1602; oil on canvas, 232x183 cmThe painting was destroyed in the fire at the Flakturm Friedrichshain in Berlin (5-10 May 1945). No colour reproduction exists.

Antonello da Messina (Italian, ca. 1430 - 1479), Saint Jerome in his Study, ca. 1475; oil on lime, 45.7 x 36.2 cm; National Gallery, London

Palma Vecchio (Italian: Jacopo Palma il Vecchio, circa 1480-1528), Portrait of a Poet, circa 1516; oil on canvas transferred from wood, 83 x 63 cm; National Gallery, London“The painting has been supposed to represent a poet because the figure holds

Paolo Veronese (Paolo Caliari, called il Veronese, 1528-1588), Portrait of Daniele Barbaro, 1561-65; oil on canvas, 121 x 106 cm. Rijksmuseum, Amsterdam “Architect, writer and commentator, Daniele Barbaro (1514-1570) worked to an Italian translation

Annibale Carracci (Italian, 1560-1609), Allegory of the Night, ca. 1602-1605; oil on canvas, 128 x 155 cm; Musée Condé, Chantilly

Guercino (birth name Giovanni Francesco Barbieri, Italian, 1591-1666); Sibilla Persica (The Persian Sybil), 1647-48; oil on canvas, 117 x 96 cm; Musei Capitolini, Rome

attributed to Domenico Bramante (Italian, 1444-1514), Cristo alla colonna (Christ at the Column), 1480-90; tempera on panel, 93 x 62 cm. Pinacoteca di Brera, Milan

Domenico Ghirlandaio (Italian, 1448-1494), Cenacolo di Ognissanti - Ultima Cena (refectory of the Convent of Ognissanti - Last Supper), 1480; fresco, 400 x 880 cm; Florence

Giovanni Battista Tiepolo (Italian, 1696-1770), Young Lady in a Tricorn Hat, circa 1755/1760; oil on canvas, 62.2 x 49.3 cm. National Gallery of Art, Washington

attributed to Marco d’Oggiono (Italian, ca. 1467-1524), Girl with Cherries, ca. 1491-94; oil on panel, 49 x 37.5 cm; Metropolitan Museum of ArtThe attribution of the painting is disputed and has been credited by art critics to at least three milanese

Francesco del Cossa (Italian, 1436-1477), Griffoni Polyptych (central panel): Saint John the Baptist, 1473; oil on wood, 112 x 55 cm; Pinacoteca di Brera, Milan

Francesco Cairo (Italian, 1607-1665), La figlia del Faraone accoglie Mosè salvato dalle acque (The Pharaoh’s daughter receives Moses saved from water), ca. 1645, oil on canvas; Turin, Musei Reali - Galleria Sabauda

Giulio Romano (Italian, 1492 or 1499-1546) or Raffaellino (Raffaello del Colle, ca. 1495-1566); Madonna and Child with Saint John the Baptist, 1522-24; oil on panel, 125 x 85 cm; the Walters Art Museum, Baltimore“The painting, previously attributed

Francesco Salviati (Italian, 1510-1565), Storie di Furio Camillo (Stories of Furius Camillus, 1543-45): Camillo sconfigge i Galli nei pressi di Ardea (Camillus defeats the Gauls near the city of Ardea). Fresco, 470 x 255 cm; Sala dell’Udienza of the

attributed to Bernardino Luini (Italian, ca. 1481-1532), previously ascribed to Leonardo da Vinci (1452-1519), Saint Catherine of Alexandria, unknown date; oil on panel, 52 x 44 cm. Statens Museum for Kunst, Copenhagen

Guido Reni (Italian, 1575-1642), Giuseppe con la moglie di Putifarre (Joseph and Potiphar’s Wife), about 1630; oil on canvas, 126.4 x 170 cm; The J. Paul Getty Museum

Domenico Gnoli (Italian, 1933-1970); Curl cioè ricciolo, 1965; acrylic and sand on canvas; private collection, Panama © MARZIA GNOLI, ROMA

Renato Guttuso (Italian, 1911-1987), La Battaglia di Ponte dell'Ammiraglio (The Battle of Ponte dell’Ammiraglio), 1951/52; oil on canvas, 321 x 521 cm; Galleria degli Uffizi, Florence

Vittore Carpaccio (Italian, ca. 1465-1525 / 26), Natività della Vergine (Nativity of the Virgin), ca. 1502-1504; oil on canvas, 127 x 129 cm; Accademia Carrara, Bergamo “Whilst working in Venice on paintings for the Scuola degli Schiavoni, Carpaccio

Domenico Gnoli (Italian, 1933-1970), Due Dormienti (Two Sleepers), 1966. Acrylic and sand on canvas, 98 x 127 cm. Fondazione Orsi“Domenico Gnoli’s last and celebrated New York show debuted in 1969 at the influential Sidney Janis Gallery. A year

Vittore Carpaccio (Italian, 1465-1526), Crocifissione dei Diecimila Martiri sul monte Ararat (Crucifixion of 10,000 Martyrs at Mount Ararat), 1515; oil on canvas, 307 x 205 cm; Gallerie dell’Accademia, Venice

Pietro da Cortona (Italian, 1596 - 1669), Madonna with the Child, Saint Catherine and Saint John (before 1620); oil on canvas, 140 x 210 cm; Musei Capitolini, Roma

Piero di Cosimo (Italian, 1462-1522), The young Saint John the Baptist, 1480-82; tempera and oil on wood panel, 29.2 x 23.5 cm; Metropolitan Museum of Art, New York

$Ludovico Carracci (Italian, 1555 - 1619)Saint Sebastian thrown into the Cloaca Maxima, 1612, Oil on canvas163.5 × 232.4 cm (64 3/8 × 91 ½ in.), 72.PA.14The J. Paul Getty Museum, Los Angeles$

Ludovico Carracci (Italian, 1555 - 1619)Saint Sebastian thrown into the Cloaca Maxima, 1612, Oil on canvas163.5 × 232.4 cm (64 3/8 × 91 ½ in.), 72.PA.14The J. Paul Getty Museum, Los Angeles

Felice Casorati (Italian, 1883 - 1963), Meriggio (Meridian Hour), 1923. Oil on panel, 120 x 130 cm. Civico Museo Revoltella, Trieste (Italy)

Tiziano Vecellio (Italian, circa 1488 - 1576), Violante (La bella Gatta) [Violante, the beautiful Cat], around 1510-15. Oil on poplar panel, 64,5 x 50,8 cm; Kunsthistorisches Museum (Gemäldegalerie), Vienna

Bronzino (Italian, 1503 - 1572), Portrait of a Man holding a Statuette, between c. 1545 - 1555. Oil on panel transferred on canvas, 99 x 79 cm; Louvre Museum, Paris

Agostino Carracci (Italian, 1557-1602), The Last Supper, 1593-94. Oil on canvas, 172 x 237 cm; Museo del Prado

Carlo Dolci (Italian, 1616-1686), Portrait of Stefano Della Bella, 1631. Oil on panel, 59 x 48 cm. Galleria Palatina, Palazzo Pitti, Florence

Sandro Botticelli (Italian, 1445-1510), The Story of Nastagio degli Onesti (part one), 1483. Tempera on board, 83 x 138 cm. Museo del Prado, Madrid

Guido Reni (Italian, 1575-1642), Allegoria della fortuna con una corona in mano [Allegory of Fortune, holding a crown], ca 1637-1642. Oil on canvas, 164 x 132 cm

Paolo Uccello (Italian, 1397-1475), The Thebaid (Scenes from the Lives of the Hermits), about 1460. Tempera on canvas, 83 x 118 cm; Galleria dell’Accademia, Florence

Alesso Baldovinetti (Italian, 1425-1499), Madonna and Child, ca. 1460-65. Tempera on wood panel, 106 x 75 cm. Musée du Louvre, Paris

Moretto da Brescia (Alessandro Bonvicino called il Moretto, Italian, c.1498-1554), Portrait of a Young Man - Fortunato Martinengo Cesaresco? -, c. 1540-1545. Oil on canvas, 114 x 94.5 cm; National Gallery, London

Parmigianino (Italian, 1503-1540), Santa Barbara, c. 1522. Oil on panel, 48 x 39 cm. Museo del Prado, Madrid

Pietro Perugino (Italian, 14), Ascensione di Cristo [Ascension of Christ], Sansepolcro Altarpiece, ca. 1510. Oil on panel, 332.5 x 266 cm; Sansepolcro Cathedral

Sassetta (Stefano di Giovanni di Consolo, Italian, active by 1423 - died 1450), from the Borgo San Sepolcro Altarpiece (1437-1444), The Funeral of Saint Francis and the Verification of the Stigmata. Egg tempera and gold on poplar, 88.5 x 53.5 cm. National

rubenista:Baccio Bandinelli, Self-Portrait, c. 1545. Oil on panel, 142.5 x 113.5 cm. Isabella Stewart Gardner Museum, Boston.

GIOVANNA TORNABUONI AND THE GRACES, 1483–1486, Sandro Botticelli

cannot-think-of-a-cute-name:fishbizkit: himbocloud: pokemoncristallo: putaemo-cional: pastaisgay: kirke-euplokamos: pokemoncristallo: pokemoncristallo: i love it when italians argue about italian. like we don’t even know how our language really

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